Sir George Clausen
(English, 1852-1944)
The Girl at the Gate, 1889
Oil on canvas
from wikipediaBey is a Turkish title for chieftain, traditionally applied to the leaders of small tribal groups.
Here an ancient Breton song that was probably known to Georgiana [Burne-Jone's wife] provides the subject and the title for the painting: Hélas! je sais un chant d'amor/Triste ou gai, Tour á tour (Alas, I know a love song/Sad or merry, each in turn). The work depicts an organist with a figure representing Love working the bellows. The figure of Love is sightless ('love is blind'), while Burne-Jones's abiding interest in the language of flowers is manifest un the painting, where tulips (symbolizing 'ardent love') and wallflowers ('bitterness') jointly represent the contradictory emotions expressed in the song.
And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin:
And yet I say unto you, That even Solomon in all his glory was not arrayed like one of these.
Matthew 6:28-29