(click to enlarge)
Eugene Thirion
(French, ????-????)
Jeanne d'Arc, 1876
Oil on canvas
I can't find any information on this artist, but I adore this painting.
I can't find any information on this artist, but I adore this painting.
But Mary was standing outside the tomb weeping; and so, as she wept, she stooped and looked into the tomb; and she saw two angels in white sitting, one at the head and one at the feet, where the body of Jesus had been lying. And they said to her, " Woman, why are you weeping?" She said to them, "Because they have taken away my Lord, and I do not know where they have laid Him."
When she had said this, she turned around and saw Jesus standing there, and did not know that it was Jesus.
Jesus said to her, " Woman, why are you weeping? Whom are you seeking?" Supposing Him to be the gardener, she said to Him, "Sir, if you have carried Him away, tell me where you have laid Him, and I will take Him away."
Jesus said to her, "Mary!" She turned and said to Him in Hebrew, "Rabboni!" (which means, Teacher).
John 20:11-18
This picture was formerly assigned to Giovanni Bellini andFrom the catalogue of British and foreign pictures at the National Gallery in Great Britain, found at www.ebooksread.com
catalogued as St. Dominic.
He wears the Dominican robe and a black skull cap. The right
hand, which alone is seen above the red marble parapet, holds a
lily (probably of later date), and a book in red binding, on which
is a small white label with the words "Sancts Dominies." Behind
is a green curtain with a pattern of daisies and red flowers.
Caravaggio, of course, is always original. His Mary is in disarray, and slumps back in exhaustion - in fact, like any woman who has just given birth. Joseph gazes unblinkingly at the little form on the floor - new life, so full of promise. The shepherds crowd around, talking among themselves. An angel hovers overhead, holding the banner that proclaims 'Gloria in Excelsis Deo'.from a website of biblical art
Now upon the first day of the week, very early in the morning, they came unto the sepulchre, bringing the spices which they had prepared, and certain others with them. And they found the stone rolled away from the sepulchre. And they entered in, and found not the body of the Lord Jesus. And it came to pass, as they were much perplexed thereabout, behold, two men stood by them in shining garments: And as they were afraid, and bowed down their faces to the earth, they said unto them, "Why seek ye the living among the dead? He is not here, but is risen: remember how he spake unto you when he was yet in Galilee, Saying, The Son of man must be delivered into the hands of sinful men, and be crucified, and the third day rise again."
Luke 24:2-7 KJV
Thérèse of Lisieux (2 January 1873 – 30 September 1897), or Saint Thérèse of the Child Jesus and the Holy Face, born Marie-Françoise-Thérèse Martin, was a French Carmelite nun. She is also known as "The Little Flower of Jesus".from her wikipedia article.
This painting tells the story of a seven year old boy whose throat was cut for singing a Christian song in a Jewish city in Asia, but miraculously continued to sing when the Virgin Mary placed grain in his mouth. He died soon afterwards and was buried as a martyr. The flower symbolism of the white lily represents purity, that of the red poppy consolation, the dwarf sunflower adoration and the wallflower fidelity in adversity.
After the reading of his sentence, the constable escorted More to an awaiting barge, which carried him the short ways down the Thames toward the Tower of London. The party disembarked the barge at Old Swan Stairs. An armed guard led More, dressed in a coarse woolen gown, up Old Swan Lane and down Thames Street. As More and his guards approached the Tower, his daughter Margaret knelt to receive his blessing, then embraced and kissed him. More then was escorted through the large crowd back to his cell, where he would spend the last six days of his life.Account found here.
The painting depicts the young Jesus assisting Joseph in his workshop. Joseph is making a door, which is laid on his carpentry work-table. Jesus has cut his hand on an exposed nail, leading to a sign of the stigmata, prefiguring the crucifixion. As Saint Anne removes the nail with a pair of pincers, his concerned mother Mary offers her cheek for a kiss while Joseph examines his wounded hand. The young John the Baptist brings in water to wash the wound, prefiguring his later baptism of Christ. An assistant of Joseph's, representing potential future Apostles watches these events. In the background various objects are used to further point up the theological significance of the subject. A ladder, referring to Jacob's ladder is visible leaning against the back wall; a dove standing for the Holy Spirit rests on it. Other carpentry implements refer to the Holy Trinity. . . . The sheep in the fold in the background represent the future Christian flock.